Tuesday, 12 March 2019

Research point


I put six books about art down:


I found in each a page with text and a picture. As a first, I wanted to know what typefaces are used. The application What The Found was not successful. I looked back in my Graphic design 1 study and I found this webpage http://www.identifont.com, which helped me to identify the typefaces. The step by step process of the researching reminds me how details are important to find the right typeface. Especially the tiny details around number 4, font Q, K, M. Really great repetition.

1. headline and text is sans serif FAKT typeface
2. text is serif Berthold Baskerville (when researching the typeface I felt nonconformity to read the text, probably due to a high of text - too small)
3. text is Newton
4. text is Fakt typeface

The similarities:

  • two columns per page
  • pictures positioned in the same grid as columns
  • the beginning of chapter has a little bit different layout but owned some similarities such as fulfilled one page with a picture
  • margins and gutters have enough space




I noticed, even they have the same layout across the whole book, some pages broke the rule. Here are nice examples from these books.






Sunday, 10 March 2019

20000 Leagues Under The Sea and What Font application

When I saw the book 20000 Leagues Under the Sea in the book Fully booked I ordered it immediately. It is pop-masterpiece.

I wanted to know what typeface was used in the book. I found a great application which showed me that the typeface is Chatterbox.







Exercise Key characters: Typography Insight again Helvetica vs Ariel

I wanted to see what differences are between Helvetica and Ariel. There are fonts which are very close and there are fonts such as 3 @ R and G which makes the typefaces visibly different.












Exercise: Key characters: Adobe's Typography Insight application


I found this application already installed on my tablet. It is a great application to discover basics, anytomy, history, typesetting, comparison. Really great application. Nice how the typefaces involved from humanist to grotesk - sans serif.










Sunday, 24 February 2019

Exercise: Type samples

As I was searching to get inspiration in other samples sheets I came across interesting links:

http://www.steptoandson.co.uk/services/10-great-web-font-combinations/

https://creativemarket.com/blog/10-infographics-on-how-to-mix-fonts-like-a-pro

http://typecast.com/blog/the-voices-of-type

I have read interesting work by Michael Peterson Rhetoric of Typography: Cross-Cultural Perceptions of Typefaces for Technical and Visual Communication. The work search differences how Korean and non-Koreans perceive typefaces. Michael focused his thesis to exam cultural perceptions of typefaces. His thesis helped me to better understand what is the cultural side of typeface perception. How the type can create a sense of meaning according to readers responds. Swirling type on movie poster may evoke romance, whereas bold type may say action-spy movie. Times New Roman is connected with professionalism because it is a common typeface of professional documents. The thesis describes the progress from writing typeface (Gutenberg) to the simplified versions (Russian Constructivism, De Stijl, Bauhaus). There is a notion about Fette Fraktur typeface connected to the rise of Nazis. The result of the thesis shows there is a different cultural perception of the typeface. It helped me to understand that the cultural perception is important to share meaning through the typefaces and what is more the typeface may not be perceived the same in the different country.

The second thesis I found is about Cultural investigation on typography in branding in the United States and in Brazil. The great thesis which shows the differences between typefaces perceived in Brazilia and USA. The examples of what people from different country perceives as their cultural branding are surprizing. "Semiotics provides the understanding of typography as a visual element loaded with meanings and symbolical information in their form (Skaggs). Psychology supplies the awareness of how the semiotic meaning affects human perception and the moods that each class of typography can create depending on the forms and shapes of the letter. The third element -culture- explain how the effect that type creates on the viewer can be related to intrinsic characteristics of particular cultural identity." There is a section where typeface are divided into ten categories and its mood. Interesting is how the culture of both countries are described: Brazilian culture: friendly, happy, warm and diverse and the American culture: strong, confident, and modern. There are great examples which show the differences. The thesis supported me more to understand that typeface has a tremendous impact on readers.

I choose as a first typeface FUTURA PT mainly for its geometry.




As a next typeface, I want a serif typeface. I choose one of the Adobe typefaces. I was looking for a nice looking one and good to read. I like the Capitolium2 for its shapes. I wanted to show combinations of the shapes as in the Futura sheet. I like the combinations of the J and curly bracket. When I was playing with the shapes I discovered that the shapes of O and J descender are similar, the same the 6 and ascender of J, nice.





The final typeface is a script. I wanted some which look nice and close to a handwritten one. P22 sneaky is very nice written typeface, warm and nice to read. I discovered that s a little bit strange. Anyway, the combinations of the fonts created a nice feeling.








Tuesday, 19 February 2019

Ellen Lupton, Thinking with Type



It was great repetition around the type to read Lupton's book. I appreciated parts about Kerning and Tracking and their examples, the expression of the word meaning through the spacing, sizing and placement of letters on the page.

Thanks to this book I bought a book Don't make me think by Steve Krug. It is an area for further discovery of web usability.


Tuesday, 12 February 2019

Research Point - Explore typography

I found that article about 10 modern independent type foundries:

10-modern-independent-type-foundries

I like the notion about the monolithic corporate behemoths like Monotype or Adobe. I have access to adobe font stock and is true it is not easy to choose a type because there are thousands of them.

What a surprise to see a small range of fonts together on that web page: https://klim.co.nz/




















These typefaces spoke to me. Founders Grotesk looks gently. I can imagine this typeface in a luxury magazine as a head font.





















I compared this typeface with SWISS 721 typeface I use a lot. The gentleness is achieved by small differences in ascender it is visible at t alphabet.














This font has vertical finials.



















This font reminds me of Bodoni typeface. The weight between vertical and horizontal lines is extreme.


eee


https://sharptype.co/typefaces/sharp-sans/

Nice Sans serif typeface. I like the slant finials.




















https://www.swisstypefaces.com/lab/

An interesting typeface, really reminds magic, looks good to be a headline of a poster.




https://lineto.com/

A typeface created by lines. For what I could use it? :-)